WEIRDOS IN THE WOODS

Weirdos Day 1: Friday September 4, 2026 at The Tavern in Stone Ridge, NY

 

The Tavern (@thetavernstoneridge) 

3978 Atwood Rd, Stone Ridge, NY 12484, USA

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A prominent intimate live venue, arts residency, and community hub dedicated to avant garde jazz and improvised music.

www.tavernstoneridge.org

 

Biotonic

Biotonic performs Peyton Pleninger’s original music in a style he aligns with Nina Isabelle’s term “animal maximalism,” from her 2016 art exhibition featuring chaotic visuals in a densely layered space at Greenkill Gallery in 2016. Biotonic is a fiery, exuberant, high-energy, way too-much-of-everything experience that pushes melody, rhythm, and improvisation totally off the edge. With Adam Siegel now joining the band on saxophone, the quartet brings a sense of joyful excess. The music is energetic, made to be immediate, and fully alive.

 

Blacks’ Myths (@blacks_myths)

Blacks' Myths is a duo from Washington, DC, composed of Luke Stewart on bass and Warren G. "Trae" Crudup III on drums.

Two of DC's most active and versatile musicians, Stewart and Crudup build symbiotic rhythmic pieces by locking into something both hypnotic and free. Their collaboration is redefining the rhythm section by dismantling its tropes and injecting unpredictability as well as a sense of vibrancy and freedom. The group's debut, Blacks' Myths (Atlantic Rhythms, 2018), established a space for ambience and eruption, building hypnotic rhythmic structures and exploratory soundscapes.

 

Warren “Trae” Crudup III (@traedrummer_)

Warren “Trae” Crudup III is a New York-based drummer whose playing is rooted in gospel and stretches through jazz, funk, go-go, free improvisation, and experimental music. As one half of BLACKS’ MYTHS with bassist Luke Stewart, Crudup brings explosive rhythmic force together with sensitivity and ceremonial depth, using percussion to move between groove, noise, memory, and physical sound.

 

Aaron Dilloway (@medicinestunts)

Aaron Dilloway is an experimental musician and sound artist known for visceral tape manipulation, electronics, loops, and noise that turn repetition, distortion, and decay into intensely physical listening experiences.

 

Joe Doubleday (@joedoubleday)

Born in Oklahoma and trained at Berklee and Juilliard, vibraphonist Joe Doubleday draws from Lionel Hampton and the Great American Songbook while pushing the instrument with his own sharp, expressive style. His playing can move from soft, ringing resonance to fast, hard-struck torrents of notes, giving familiar jazz language a lively, restless edge.

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Shakoor Hakeem (@shakoorhakeem)

Shakoor Hakeem is a percussionist and improviser whose work draws on Afro-diasporic rhythmic traditions, experimental practice, and deep listening, using percussion to shape texture, space, and collective sound. Rooted in Philadelphia’s creative music scene, his playing balances restraint, risk, and spiritual intention within contemporary jazz and improvisation.

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Shakoor approaches percussion as a tool for texture, space, and collective ritual rather than strict timekeeping. His playing emphasizes tone, restraint, and deep listening, often transforming the ensemble into a living, breathing sound environment.

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Emerging from the fertile Philadelphia creative music scene, Hakeem has performed and collaborated with respected jazz and avant-garde artists, engaging directly with lineages shaped by legendary improvisers and elders of the music. Rather than imitate the past, Shakoor abstracts its lessons, blending ancestral rhythmic knowledge with contemporary improvisation.

 

Bram Kinckeloe (@bramkincheloe)

Bram Kincheloe is a professional musician and writer. Originally from the Bay area, he moved to NYC when he was 16 to pursue a career in Jazz drumming. He has performed with Lee Konitz, Branford Marsalis, Ambrose Akinmusire and Ben Street. He runs Sempervirens Studio in High Falls, NY.

 

Will McEvoy

Will was born in the midst of a hurricane in South Carolina. His first gig was a weekly with One Eyed Johnny in a dingy country bar. He plays the upright Bass.

 

Peyton Pleninger (@p.e.y.t.0.n)

Peyton Pleninger is a saxophonist, improviser, bandleader, astrologer and guerilla contractor forging a personal path that challenges the boundaries of what it means to be a musician. Peyton worked as a mentee of Milford Graves from 2019 until his passing in 2021, which sparked his interest in many disciplines, such as construction and Cardiology.

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Peyton has performed and recorded with Henry Threadgill (The Other One, Pi Recordings 2023), Phil Haynes (Terra, Rezonance, Willosophy, Anatomy Avant Garde, Mysteries, Earth Song), Tani Tabbal and John Benitez.  has released three solo records, TUNDRA (Tavern Records 2026), Wind Music (self-release 2022), and Post Human Folk Dances (Polyfold Records 2022).

 

In early 2022, he purchased The Tavern, a defunct roadhouse in upstate New York, which he is rebuilding into an art space called The Tavern, where he presents a variety of concerts, music theory/improvisation workshops, plus astrology forecasts, sound baths, and artist residents’ work. The Tavern is the original test space for Anatomy Avant Garde, a performance Peyton developed which involves improvising in response to a participant's heartbeat along with a live painting element.

 

PuppetWarp

PuppetWarp is a collaborative project by Pieter Schoolwerth, Phil Vanderhyden, and Aaron Dilloway that turns the CGI files behind Schoolwerth’s paintings into delirious looping animations with full soundtracks. Moving between painting, digital modeling, animation, and experimental sound, the work warps bodies, identities, and virtual spaces into unstable figures that seem to peel apart, reassemble, and perform themselves.

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Pieter Schoolwerth (@get_a_head)

Pieter Schoolwerth is a New York-based artist whose work combines painting, digital modeling, animation, and performance to explore how bodies and identities are reshaped by networked and virtual life.

 

Adam Siegel

Adam Siegel is an alto saxophonist who regularly performs and records throughout the Hudson Valley and New York. With years of performance experience, Siegel has shared the stage with such greats as Joe Magnarelli, Tani Tabbal, Michael Bisio, and more. Tony Dudley-Evans of London Jazz News writes of a recent album release by Tani Tabbal: "Adam Siegel is a real discovery; he has a strong tone on the alto and the ability to interact very effectively with his colleagues." Jan Granlie, editor-in-chief of the publication Salt Peanuts and formerly of Jazznytt, writes: "Adam Siegel … is an excellent technician… there are many younger alto saxophonists who can learn a lot from the way he plays.”

 

Luke Stewart (@takealukearound)

Luke Stewart is a bassist, improviser-composer, organizer, and writer whose work moves through free jazz, punk, experimental music, and the larger histories of Black creative music. A founding member of Irreversible Entanglements and co-leader of Blacks’ Myths, Stewart treats the bass as both a rhythmic engine and a resonant physical object, working between wood, electricity, improvisation, and deep listening.

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Pete Swanson (@peterswansonmusic)

Pete Swanson is a bass player living in NYC.

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Phil Vanderhyden (@phil_vanderhyden)

Phil Vanderhyden is a multidisciplinary artist working across painting, sculpture, animation, performance, writing, and curatorial practice, with recent work centered on large-scale immersive computer animation and theatrical environments. His work pulls together horror films, role-playing games, nineteenth-century theater, fortune telling, product design, disaster movies, and casino aesthetics, using digital tools to build strange visual worlds that hover between spectacle, simulation, and unease.

 

Aaron Yanda

Aaron Yanda is an active drummer performing in NYC and the Hudson Valley.

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Weirdos Day 2: Saturday September 5, 2026 at Three Phase Center in Stone Ridge, NY

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Three Phase Center (@threephasecenter)

3607 Atwood Rd. Stone Ridge, NY

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Three Phase Center is a dynamic hub for experimental culture, performance, and contemporary art. Founded in 2017, it serves as an intersection for diverse creative practice, supporting local and visiting artists across multiple disciplines.

threephasecenter.com

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Weidos Day 2 turns Three Phase Center (@threephasecenter) into a working site rather than an exhibition space: things will be fired, measured, listened to, assembled, performed, tested, read, built, and invented in real time. Artist books sit alongside electronics, seeds, sound, bioart, ceramics, performance, mentorship, and collaborative experiments. The day brings artists with highly developed individual practices into proximity with people doing something for the first time, allowing technical skill, risk, play, mentorship, and experimentation to exist side by side.

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Jana Astanov (@jana_astanov @creatrixmag) will present a selection of her artist books. Jana Astanov is a multidisciplinary artist, performer, writer, and founder of Creatrix Magazine whose work moves through performance art, photography, poetry, ritual, and collaborative situations, exploring transformation, mythology, and the construction of identities.

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Heather Duke (@hethersukkha) will present a technical demonstration involving an EEG machine, neurofeedback, and live music accompanied by Marc Greene. The work brings together electrical activity in the body, feedback systems, sound, and Jupiter, moving between scientific apparatus and a more speculative, intuitive relationship to signal and perception. Heather is an artist, writer, clown, gardener, and dream collector whose work grows out of collage, performance, strange sanctuaries, everyday ritual, and the fertile edges between vulnerability, imagination, and lived experience. Queen Jupiter will include a literal offering and invocation to the spirit of Jupiter as well as an exploration of human and marine life electrophysiology.

 

Karen Dazzler (@karendazzler) aka Max Caulkins, is an experimental electronic musician, multimedia artist, and animator based in Troy, New York. The self-described “computer gurl” works at the intersection of sound art and digital visual media, constructing sonic environments that move between ambient exploration and abrasive noise. Their broader practice extends into animation, video, visual storytelling, and multidisciplinary performance.

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Marc Greene is an eclectic soul who is, or has worked, as a musician, graphic artist, photographer, videographer, college professor, chef, and clown. He started his musical career with the punk band Your Mother! in the late 1970s and has played with such luminaries as Billy Bang, David Amram, and Wayne Kramer, as well as lesser lights few have ever heard of. For Weirdos Day 2, Marc will accompany Heather Duke’s technical demonstration with live music, bringing his wide-ranging musical experience into a performance built around bodily signals, feedback, electronics, and improvisation.​

 

Sergey Jivetin (@sjivetin) draws on an extensive background in metalsmithing, jewelry design, and engineering, using the skill set of a master craftsman to transform ordinary materials into potent conveyors of meaning. His practice introduces miniature elements into unexpected settings to examine humanity's convoluted relationship with nature. The disappearance of the Aral Sea in Uzbekistan, one of the greatest ecological disasters of the 20th century, heightened Jivetin's sensitivity to the preciousness of natural resources and their management. Since coming to the United States in 1994, his practice has expanded from wearable pieces of jewelry to include experimental flatware, scientific and medical apparatus, sculptural objects, and site-specific installations. He is the recipient of numerous accolades, including fellowships from the Louis Comfort Tiffany Foundation, Peter S. Reed Foundation, the New York Foundation for the Arts, and the New York State Council for the Arts Jivetin’s work is in the permanent collections of many public and private entities, such as the Smithsonian Institution, Metropolitan Museum of Art, Museum of Art and Design, and Dallas Museum of Art.

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Joseph Latka  (@jorylortka) is an international transdisciplinary and multimedia artist, composer, performer, and Deep Listening® facilitator whose work explores resonances between identity, nature, and technology in creative practice. Their practice is informed by queer frameworks, quantum theories, and immersive technologies which integrate the body, environment, space, and time. Their work has been performed and exhibited internationally including with SPLICE Ensemble, the International Contemporary Ensemble at the Walden School, and the Frick Collection. They hold a Bachelor of Music in Music Performance, Master of Fine Arts in Creative Music Technology, and are pursuing a Ph.D. in Electronic Arts at Rensselaer Polytechnic Institute. For Weirdos, Joseph will bring a Game Track controller along with crystal singing bowls, recorders, and other instruments to create an interactive sound experience that participants can enter and affect.

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Together, Joseph and Sergey will create a series of indoor and outdoor stations that blend interactive sound technology with prehistoric cricket recordings. Their collaboration considers the non-human ears of plants and trees alongside the live chorus of crickets already sounding throughout the late-summer landscape, bringing these together with sound waves, prehistoric cricket recordings, and visual elements such as pine-resin casts containing insects. The work invites people to engage, listen closely, interact with instruments and environments, and enter a situation where human, technological, and non-human systems all contribute to what is heard.

 

Ernest Maw (@howwerose) is perpetually being raised by the Catskill mountains and waters, nurtured through seasons of friendship and neighboring. Forever a student and a teacher, creating and becoming in service to imagination for liberation, their practice brings together schooling and unschooling, animism, improvisational performance, conflict mediation, painting, and experimentation. Through this lineage they have developed Portraits of the Unseen, a practice offered as a modality toward knowing and honoring thyself. For Weirdos 2026, Ernest will present an interactive world building, where a myth for our times emerges through the collective and pours out into colorful form, painted live and directly influenced by group consciousness.

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Mike Ponte is a Hudson Valley ceramic artist, electrician, and maker whose raku-fired work brings together heat, smoke, chance, and skilled handwork, reflecting a practice grounded equally in material experimentation and the practical knowledge of the trades. For Weirdos Day 2, Mike will host an interactive outdoor workshop demonstrating raku, horsehair, and saggar firing techniques. Participants will create and decorate their own fire-kissed ceramic vessels using materials like feathers, ferns, and horsehair for a hands-on experience in material experimentation. The immediacy of these firing processes, where ceramic surfaces are transformed through extreme heat, smoke, combustion, and rapid changes in atmosphere, makes the firing itself part of the event.

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Adam Zaretsky (@andi_wallwhore, clotmag) is a bioartist, performer, and educator whose work uses living systems, biotechnology, bodies, humor, and deliberate ethical discomfort to question how science, culture, medicine, and identity get constructed. His projects often borrow the language and apparatus of laboratories, clinics, genetic counseling, consent forms, and biomedical research, then push them into absurd, participatory situations where the authority of those systems becomes part of the material. In his microbiome work, Zaretsky focuses on the organisms living symbiotically inside us, treating microbiomic data as something belonging to independent living organisms that make up that inner ecology.

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The Microbiome Dating Game brings this practice into the familiar structure of a dating game show, using real microbiome analysis as the starting point for a deliberately speculative form of interpersonal compatibility testing. Participants’ microbiomes may be analyzed through 16S rRNA sequencing, but the resulting claims about compatibility, personality enhancement, intimacy, and potential fecal microbiota exchange are explicitly framed as art conjecture, creative biology, and performance medical hearsay rather than clinical diagnosis. The project plays with the idea that an “upgraded” gut microbiome might produce an upgraded personality, turning genetic counseling, dating, bio-data, bodily intimacy, and game-show spectacle into one unruly participatory experiment.

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For Weirdos Day 2, Zaretsky will lead the audience through this non-clinical bioart dating game, where microbiome data, attraction, bodily ecosystems, privacy, informed consent, and the strange social life of the organisms inside us all become part of the performance. The work makes room for both real scientific information and intentionally unreliable interpretation, asking how quickly biological data begins to feel like personality, destiny, compatibility, or identity once somebody puts it on a chart and starts telling a story about it. The accompanying consent and data agreements extend the performance into questions about who owns biological information, what happens when intimate data becomes public material, and where science ends and art begins.

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Ruby Zuckerman (@rubyzuck @rubyzuckerman) and Koby Weston will present their first-ever performance together, developed under the mentorship of Heather Duke and Marc Greene. Their inclusion brings a new and emerging performance collaboration into the festival, with the mentorship itself becoming part of the larger Weirdos ethos of artists learning from one another through direct experimentation and shared practice. Ruby is a writer and artist working across fiction, visual art, criticism, and communal literary events, with a practice attentive to memory, everyday experience, and the strange ways people gather and make meaning together.

 

Weirdos Day 3: Sunday September 6, 2026 at Rosekill Performance Art Farm in Kingston, NY

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Rosekill Performance Art Farm (@rosekill.art.farm)
155 Binnewater Rd, Kingston, NY 12401

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Rosekill Performance Art Farm is a 60-acre outdoor venue run in connection with Grace Exhibition Space, featuring international and local performance art, experimental theatre, site-specific installations, and community-driven ecological practices.

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Day 3 of Weirdos in the Woods takes over Rosekill as the festival’s final and most open-ended day, spreading performance, music, light, storytelling, uncanny encounters, participation, and social activity across the property before ending in the barn after dark.

The day is set within an environment where different kinds of activities are happening around you. Performances appear in fields and buildings, figures inhabit the woods, sound and light change the atmosphere, people wander into situations they may or may not immediately recognize as art, and the distinction between artists, audience, neighbors, and landscape becomes increasingly loose.

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Jana Astanov (@jana_astanov @creatrixmag) joins Nikolas van Egten (@makebelieveav) in ASTRAL00P, a collaboration combining dark electronica, poetry, ritual, and sculptural light into immersive environments that unfold like shifting constellations. Astanov’s practice moves through performance, writing, trance, astrology, and altered states. Together with van Egten’s work in lighting, architecture, atmosphere, and sensory design through MAKE BELIEVE AV, ASTRAL00P creates a temporary space somewhere between concert, ritual, installation, and portal.

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Maxx Berkowitz (@maxxcreatives) is a musician and multidisciplinary artist who co-created and scored the internationally touring dance piece birds sing a pretty song and was a founding member of Brooklyn dream-pop band Twin Wave. At Weirdos, Maxx joins Philophilia for the final nighttime set in the barn.

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Kara Blossom (@clamhammock) is an artist and maker whose work moves through participation, attention, sound, proximity, and collaborative situations. Her performance Ecology of Attention invites people to create a sonic portal with their cell phones and the humans nearest to them, play inside a feedback loop, and then step away from the cacophony into mutual presence. Feedback, noise, bodies, technology, and simple acts of noticing become materials for connection, creating possibilities for physical and sonic encounters while exploring how attention moves between devices, sound, other people, and the space around us.

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Pete Crotty (@pedro_ncm111) will inhabit the wooded areas of Rosekill, becoming an environmental presence somewhere beyond the designated performance spaces. His contribution creates the possibility that a walk into the woods might turn into a chance run-in with an actual weirdo, pushing the festival outward into the landscape and making the woods themselves part of the day’s strange unfurling.

 

Neville Daly (@nettlenervine) is a queer carpenter and goat farmer, as well as a self-taught songwriter, guitarist, and vocalist. They believe that creating community around art and agriculture is critical to smashing the capitalist systems that seek to oppress us all. Neville joins Philophilia when the festival moves into the barn after dark.

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Zacha Del Rosario is a NYC native whose documentary, experimental, and transmedial works foreground co-creation, ethics, and measurable impact. Drawing on Peace Corps service in Madagascar and a Fulbright in Hungary, they bring systems thinking, pragmatic resourcefulness, and a listen-first spirit to their work. At Weirdos, Zacha and Carly Wright will present their shared practice for finding and interpreting signs. Using intuition, chance, movement, language, and whatever else happens to show up, they follow a message as it takes shape between them. This will be the first time they have tried the process in public, allowing the audience to witness meaning being discovered in real time.

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Liam Dember (@elevateminds) is a spiritually motivated multi-instrumentalist, vocalist, and audio engineer based in Hudson, NY. With more than a decade behind the kit, guitar, and console, he regularly engineers live sound at Hudson Harmonic and has produced music ranging from rap to slowcore. At Weirdos, Liam joins Philophilia for the festival’s final live set.

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Clara Diamond will present a performance bringing her approach to embodiment, improvisation, attention, ritual, responsiveness, and transformation into the larger environment of the farm. Rather than existing apart from everything happening around it, the performance becomes part of a day where bodies, landscape, weather, sound, and audience movement continually affect how work is encountered.

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Matt Igoe (@mattbigoe) joins Weirdos to share stories from his Iraq memoir-in-the-works, kind of maybe titled The Runaway and The Nightmare. Handy, good-natured, enthusiastic, curious about many things, and happy to get involved, Matt contributes through conversation, participation, practical activity, and washing dishes. His property abuts Rosekill Art Farm, where he operates the natural winery La Fermentora with Darich Perez and Joey Weiss. His kids are Honey and Merle.

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Halle Kananack (hallekananack.com) is a longtime weirdo, storyteller, educator, and wanderer of woods whose practice grows from curiosity about the human experience, the natural world, and the stories that connect us. As darkness settles over Rosekill, Halle will gather people around the fire near the barn for a creepy tale to leave a supernatural trail behind the tiny hairs behind your ears. The woods, fire, night, and listeners all become part of the telling.

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David Linton (@bicamrl) will present a live audiovisual performance bringing together sound, percussion, electronic image, improvisation, projection, and responsive media. Linton’s work investigates what happens when sound and image are generated as interconnected events rather than treated as separate elements. Within the changing environment of Rosekill, his work adds an electronic architecture of sound and light to the physical landscape of the farm.

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Auggie McGillicuddy (@auggie_mcgillicuddy) was introduced to bass guitar at the Woodstock Rock Academy in 2013 and has been vibing ever since. Since graduating, he has played with original musicians from Vermont to California and currently performs throughout the Hudson Valley with Whoah!, Brother Jax, Philophilia, and others. Auggie joins Philophilia for the closing set in the barn.

 

Paul McMahon (@macpaulmc) is a Woodstock-based artist, singer-songwriter, writer, curator, and longtime cultural instigator whose work crosses visual art, music, humor, performance, and community life. He is the founder and director of the Mothership in Woodstock, an “everything center” operating as a gallery, music venue, classroom, gathering place, and ongoing social sculpture. McMahon has spent decades moving between making his own work and creating spaces for other artists, treating everyday life, conversation, music, and community as material for art. At Weirdos, he will perform his own songs on voice and guitar.

 

Nikolas van Egten (@makebelieveav) brings decades of work with lighting, architecture, atmosphere, and sensory design through MAKE BELIEVE AV. At Weirdos, his sculptural light and experimental music combine with Jana Astanov’s poetry, trance, and performance in ASTRAL00P, creating a temporary environment of dark electronica, color, shadow, ritual, and shifting constellations.

 

Marta Weber (@stardust.scavenger) is a vocalist, keyboardist, and guitarist whose soulful singing pours straight from her heart like a confession. Since returning from a life-changing journey around the world, she has written more than 20 songs in two years, infused with raw emotion and social critique. A former children’s music teacher and middle school theater director, she now fronts the newly formed psychedelic rock band Philophilia as lead singer.

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Carly Wright joins Zacha Del Rosario in a shared practice for finding and interpreting signs. Together they use intuition, chance, movement, language, and whatever else happens to show up, following a message as it takes shape between them. Weirdos will be the first time they bring this process into public view, allowing the audience to witness meaning being discovered as it happens.

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Jaguar Mary X (@jaguarmaryx) is a glossolalia vocalist, ritual performance artist, advanced Reiki practitioner, and sound energy medicine guide whose practice is influenced by Afro-Indigenous shamanism and vibrational medicine through touch, sound, and movement.

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For Weirdos, Jaguar Mary X will present SMOKE WISH, with drum sounds by Evie Star (@e.v.i.e_s.t.a.r) The performance is a ritual for deep dreaming with mugwort, moving through wild dancing, drumming, trance states, and smoking plants. Everyone is invited to write a wish on a piece of paper, wrap it in a bundle of mugwort, and add it to the fire. Materials will be provided. JMX gives thanks and appreciation to their teachers in this and other lifetimes, namely Kali Maie, Vickie Dodd, IONE, and Three Trees.

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As daylight disappears, the character of Rosekill changes again. Halle Kananack gathers people around the fire, and eventually everyone moves toward the barn, where Philophilia closes Weirdos in the Woods 2026. With Marta Weber, Maxx Berkowitz, Neville Daly,

Auggie McGillicuddy, and Liam Dember, the band blends soulful vocals, hypnotic psychedelic guitar, atmospheric synth, indie rock, dream pop, and psych into something that lives somewhere between a fever dream and a confession. Their nighttime set is the final act of the entire three-day festival.

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Day 3 has the feeling of wandering into something already underway. A feedback loop might be building nearby while someone else is following a sign whose meaning has not yet been figured out. A figure appears in the woods. Light changes a building. Electronic sound meets open air. Someone sings with a guitar. Someone tells a story around a fire. A neighbor gets involved. A wish is wrapped in mugwort. A curious character might be watching from among the trees. The audience moves through fields, woods, paths, buildings, performances, and conversations as they wander.

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By the time Philophilia begins playing in the barn under the night sky, Weirdos has moved through three days of art made from bodies, technology, materials, sound, friendship, technical skill, risk, ritual, attention, play, experimentation, and people figuring things out together. Rosekill gives the final day enough physical and imaginative room for all of these things to spread out and overlap, until making art and spending a day together in the woods become difficult to separate.

 

OPEN STUDIOS:

(DETAILS COMING SOON!)

Darich Peres Reyes  (@la_fermentora_ny)

Jenna Marie Diliberto Roses in the 12th house (@rosesinthe12thhouse)

John Ackerman (@pahnjoul)

Amelia Biewald (@amelia_biewald)

Amelia Biewald is a Hudson Valley artist and curator whose work moves through sculpture, drawing, installation, and collaborative projects, often weaving together myth, history, science, and theatrical visual language.

Army of Frogs (@armyoffrogsstudio)

Army of Frogs is an artist-run gallery and sculpture garden in High Falls, NY, directed by artist and curator Amelia Biewald whose own work uses drawing, sculpture, installation, myth, history, science, and scandal to build richly layered visual worlds.